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What's Lost Beneath the Roses [06 Dec 2006|01:05pm]
[ mood | Busy with the old Writing. ]
[ music | Nobody - Monsters Are Waiting ]

On Seeing Faustus at the Rose
In this concrete covered cavern
Cast in shadow tempered flame,
The Rose has long since vanished,
But its spectre still remains
Sunk two dozen feet in mortar
And five centuries disuse,
With its players long forgotten
To slow aging or the noose.
But, still one phantom lingers
(Who once lingered here too late),
Watching his own doctor Faustus
Play the ruin’s stagnant lake.
The living cannot see him,
And the dead have ceased to seach
For what’s been lost beneath the roses
And the rain at St. Nick’s church.
The Rose has long since crumbled,
Passed into the static void
That waits for what soul may exist
When all structure is destroyed,
And he knows he can’t avoid it,
Though he’s hidden for so long
In clogged and cloying clay and earth
Where he knows he must belong.
Mephistopheles is coming
Through the silence of cement,
Filled with just the water’s weeping
And the dream of days long spent.
The clock still launches aching seconds,
And the hour’s getting late.
“It strikes! It strikes!” It’s time to go.
“Come now, Kit. Sleep awaits.”
My goodness it’s been a while again. I should really learn to update more often. I shall try and sum everything up as quickly as I can. I have a new job working at Costa Coffee, which would be an alright job were it not for the manager that runs the place being one of the most unpleasant people that I’ve ever met. Made a new friend, or rather, I’ve made friends with one of Tez’s friends, a lovely boy called James. Just as well I know him given that even before I did he was part of the ‘Let’s get a house when you finish Uni’ plan.

Working on the novel that I wrote for Nano this year, it’s called ‘The Storm Warden’, and hopefully it’ll be the first book in a series of books that are going to make me famous. It details the trials and tribulations facing an alchemical magician in 1814 who is forced to ingratiate himself into the high society of rural Wales when a werewolf begins attacking people. Over the course of the story he gets himself a new companion, solves the problem and disappears off into the sunset with her. I’m hoping to intersperse the novels with various books of random crap: short stories; entries in a Georgian supernatural bestiary; letters the main character’s companion writes home to her family. Things like that.


It’s my sister’s wedding on Saturday. She’s marrying some guy she met in March and that I’ve never heard of, so that should be an interesting one. Means I have to see the family, some of whom I haven’t seen in well over two years, a lot of whom now live somewhere I have no idea about. Still, I’m not dreading it too much.

Life is good, if cold. The winter’s setting in and yet again we don’t really have enough coal to keep us warm, still, I’m more or less happy and that’s what’s important.

Been doing a little writing over the past few days, keeping the old gears turning, which is no bad thing. You can see the evidence of it dotted around this entry. A few nights ago we had Tez and James around, and we were getting drunk as per normal, and I won’t go into details but one thing led to another and they both ended up half-naked and out in the fucking hurricane that was coming up the mountain outside. Something about the way it looked really struck me, and given that I didn’t have a camera at that exact moment (and they weren’t really eager to go out in it again) I started thinking about what else I could do with the idea, and pretty much out of the blue I sat down and wrote this. I may use the idea for my Screenplay in June. Anyway, this is it:

Gideon & Isaac
Outside the house, the night was coming down in gusts of wild, mountain-borne wind and shaves of late November rain. Gideon and Isaac were inside, but they couldn’t quite feel removed from the world beyond the rough-hewn stone walls. It was true that they were protected from the more immediate ravages of the wind and rain, but they couldn’t help but shiver as they heard it blasting against the frail glass and guttering in the barren, heatless chimney.

They drew closer together to avoid the ravages of the oncoming winter, and drank more wine, swigged straight from the bottle to avoid the need for glasses. To be honest, they weren’t even sure that they had any glasses left, Gideon did seem to have a terrible habit of smashing them when he was horribly drunk and in fits of impassioned rage or triumph.

“Listen to that weather,” Gideon said blackly, taking another swing from the half-finished bottle. “We’re in the middle of a fucking hurricane.”

“Yeah,” said Isaac without much conviction as though the conversation was only slowly catching up with him, the cogs twisting and turning in his head, taking his thoughts in new and uncharted directions as his subconscious gradually processed what was going on around him.

Suddenly, everything made perfect sense, the world slipped perfectly into place, his breathe caught at the back of his throat. “We should go out in it.”

Gideon frowned. “Go out in it? Out there? Are you mad?”

“Possibly,” Isaac muttered disjointedly. “Possibly.” His eyes flashed a sudden, fervent blue in the guttering shadows of the candlelight. “Come on, let’s go.”

“You are mad,” Gideon sighed. “You go out there and you’ll catch a chill and die.”

“Me?” Isaac asked. “No, not me: Us. You’re coming with me, Gideon.”

And with that, Isaac got to his feet and headed for the door. Gideon sighed, then he picked up the half-finished bottle of wine, and he followed him.

As the door swung open, it was as though someone had replaced bits of the world outside with the darkest reaches of some distant frontier perched right on the very precipice of the world between what was sane and safely understood and the utter, roiling chaos that lurked beyond the verges of human influence and knowledge. It was true, the physical hallmarks of the landscape they were used to were still there: The road that spread out immediately on either side of the door with its bus stop and its balding tarmac; The amber-coloured streetlights pushing the darkness back inch by painful inch for all the unfortunate souls that drove or walked through the wilderness after dark; the dry stone walls and tiny houses that dotted the side of the mountain stretching up towards the brooding sky, clinging desperately to the thin ribbon of the road as though it were the only thing holding them up there. But, the rain was coming down in thick, grainy drifts: as fine and cold as snow, but without any of its poise or delicacy, and the wind gusted and tore up the side of the mountain in harsh, powerful lungfuls of arctic air. The streetlight played with the drifted banks of dusty rain, turning them into a falling haze of sodium orange embers that swirled and bustled in the wind as they chased themselves towards the ground.

For a moment, anyone that didn’t know Gideon could have been mistaken for thinking that he was quite taken with the violent kind of beauty of it all, so much so, in fact, that he didn’t notice Isaac beginning to unfasten the buttons of his shirt until he pulled it off over his shoulders and began to wrestle with his socks. Only then did Gideon turn to look at him with an expression of vexed confusion on his face.

“Isaac, what the hell are you doing?”

Isaac paused halfway through pulling his left sock off and swayed in a drunken, one-legged attempt to stay upright. He blinked at Gideon vacantly as though he had just asked the stupidest question ever documented to man, and said simply:

“They’ll get wet if I don’t take them off.”

Then he finished removing his sock, and stepped out into the rain. Gideon sighed and rubbed his forehead absently with his fingers. Isaac staggered out, half naked, into the road, and spread his arms to the heavens.

“Are you quite cold enough yet?” Gideon asked impatiently from the doorway, leaning warily against the frame and lighting a cigarette.

Isaac spun around a few times on the tarmac, the water and streetlight turning his skin to slickened amber glass and plastering his straw-coloured hair to his face in thick, wet curls. He laughed, and there was a kind of insanity in that laugh that Gideon found profoundly unsettling, the kind of utter, boundless abandon that didn’t know when to stop. Isaac turned around to face him, and after a moment of regarding him with his perfectly vacant eyes, he stumbled a few paces closer to the house and away from the ravages of the winter rain. He plucked the cigarette from between Gideon’s lips with long, cold fingers, and took a deep, indulgent drag on it before casting it, half-smoked, into the gutter.

“What the fuck are you doing?” Gideon demanded, but already Isaac had hold of his hand and was dragging him outside. Out into the storm.

As the rain struck Gideon’s skin, it was like being pushed into a bath full of ice water. In a second, the cold cut through the reassuring warmth of the alcohol and rendered him utterly, painfully sober. In that same instant, however, the sharp, sudden shock of it released a heavy dose of adrenaline into his blood and began to make him feel reckless and light-headed. Perhaps it was that, or perhaps it was the shock itself, that meant that when Isaac began to tug at the buttons of his shirt, Gideon didn’t argue. Despite that, the fabric was already growing wet and heavy as he wrestled his way out of his shirt and cast it back in the direction of the open doorway.

Isaac smiled broadly and began to half walk, half dance down the empty road in the dark and the pouring rain. He laughed again with the same kind of insanity and volume as before. In one of the nearby houses, a light flicked on, and the face of some terrible Welsh washerwoman pressed against the glass – all rollers and sagging skin. Gideon took a swig from the bottle of wine and rainwater in his hand, gave her the finger, and walked down the road after Isaac.

He found him standing on the tarmac with his back towards the house, gazing towards the distant mountains that had long been swallowed by cloud and rain and darkness. Gideon stopped beside him and offered the bottle to Isaac, who was happy to oblige his hospitality.

“Do you know who we are?” Isaac asked abstractly as he handed the bottle back and wiped the mixture of red win and rain from his chin.

“Tell me.”

“We’re Byron and Shelley. In eighteen sixteen. The year the summer never came.”

“They should have come to Wales,” Gideon remarked sardonically. “Then they could have enjoyed that particular little privilege every single year.”

Isaac laughed, and Gideon smiled a little at his own joke. Isaac’s laughter had a habit of making him do that.

“Out in the cold and the rain,” Isaac went on dramatically, throwing his arms wide open and narrowly missing hitting Gideon in the face. “Out of their minds on laudanum and driving each other slowly mad in the storm. Utterly lost in some strange mixture of ecstasy and despair. Knowing that they were losing control, that they were on some fast-track road towards insanity, but unable to stop themselves because that feeling: that loss of control, was even more addictive than all those drugs they were doing. Because, deep down, they knew – They knew they couldn’t stop even if they wanted to. So they just kept shooting up on the sheer, awesome size of everything until it pulled them apart on the inside. Until it chewed up their minds and just spat them out on the other side of it all.”

“What an utterly charming thought,” Gideon said.

The rain was beginning to sink its icy fingers beneath his skin, between his bones. Isaac was beginning to shiver: His skin starting to pucker and pale with the cold. Then, just as everything was beginning to seem dark and desperate and unsalvageable, Isaac laughed again, flung his arms open wide, then threw them around Gideon and hugged him tightly.

“You’re starting to look miserable again, Gideon,” he said softly. “Come on, let’s go inside. We can crack open another bottle.”

Gideon patted him on the shoulder and smiled.

“That,” he said. “Is the best idea you’ve had all day.”
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The Poet and the Mountain [04 Apr 2006|10:07pm]
[ mood | cranky ]
[ music | Blackmore's Night - Shadow of the Moon ]

Ayesha made me go for a walk today.

So I sat down in the middle of this big piece of common land just down the hill from where I live and wrote this:

The Poet and the Mountain

Nobody noticed her, the poet, as she walked barefoot downthe street. Her clothes were in tattered, her hair unbrushed and unwashed. Shewas poor as a pauper, but she smiles like the whole world had just been givento her on a silver plate.

Spring was coming; for the first time in months, the sky wasa fragile turquoise veined with the delicate whiteness of clouds. She sat downin the grass. In summer, when she came here last, it was tall and golden andhid her from the world. Now it was low and scrub-like, but it was green as herlover’s eyes and it held within that greenness all the promise of the turningyear.

The lambs were calling and the birds were rich withevensong. All around her, the roads and houses were silent as the grave. Herfriends and neighbours, the people that called this place their home, were yetto hear the glory of the rites of Spring. The only sign that anyone had everlived here but her were the plastic bags that they had left wind-torn in thegrass, and the warm, winery smell of burning coal rising slowly from theirchimneys.

It was her blessing, the poet - her blessing and her curse;like it was the blessing and the curse of every poet that had come before her,whose hearts she held so close against her own. It was their place to be as theOld Gods are in an increasingly Christian world. It was they who walkedbarefoot upon the Earth, changing ever with her ever-changing seasons whiletheir peers all but washed those changes away from the world with the poisonsof air-conditioned central heating, with their roofs and rooms and silent,static air, until the cards above the mantel became the only sign that thingsever changed at all.

But there’s a certain symbiosis between the poet and theland tat the other people never even dreamed of: in Spring, they dreamed; inAutumn, they dreamed of dying; in Summer, they dozed lazily; and in Winter,they are already dead.

And she knew, the poet. She knew, and so did the Romanticsand the Renaissance playwrights and the witches. They all would look to themountains in Spring as she did, and see the ochres and sepias melting slowlyinto green. They saw the perfection of it all in every jackdaw, every floweringweed and every cold spring evening when the pale, golden-water light of the sunmade sundials out of fountain pens pressed avidly to paper, and the souls, thespirits of all who’d come before reached out amidst the twilight to brush thetears from one another with a perfect love, a perfect trust. Perfectlyconnected to everyone and everything around them, while the slow machine ofhumanity drudged ever onwards under its own illusions and inertia, cut by itsown hand, and in the lightless, seasonless, air-conditioned evening, neverrealising just how much it was losing . . . or just how much it had lost.



Oh, and I have a page on writing.com. Just incase you care. Don't know why I did it . . . Was just looking for a group I could join that gives out writing prompts and before I knew it I was signing up.

Gods, and I've just realised that I'm really going to have to write Ostara and Imbolc soon, or I'm going to be too out-of-touch with the wheel of the year to manage them before next Spring.

Urgh. That'd suck.
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It's The Way Of The Future . . . [08 Feb 2006|04:23pm]
[ mood | blank ]
[ music | Bright Eyes - Pull My Hair ]

People used to illustrate their manuscripts all the time, now no one ever does.
Well, as part of my crusade to bring some romance back into writing, I'm going to start doing it again and illustrate my poems.
Here's a first attempt at illustrating 'In Dreams', they'll probably get better as I get used to doing them.

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So Hollow . . . [04 Oct 2004|03:00pm]
[ mood | busy ]
[ music | Toy - Dreams ]

Urgh . . .
I am going to have SO little time between now and the beginning of November. And I'm behind on this journal as it is.
I'll do my best to catch up now so at least I'm more or less up to date.
I finally got some temp work so now we can at least do a slightly better job of keeping our heads above water, although we'll be doing much better when Niccie get's some work as well.
The first one was at the hospital, working on the front desk in Audiology, dealing with old deaf people. It was actually great, great fun and I miss it terribly. I wish it could have lasted for more than just a week. Of course, it helped that I had SO much time on my hands that I got more actual creative work done than I do at home.
For more on that go over and take a look at my LiveJournal.
Haven't managed to get The Perfect Lie finished yet, and that kind of bites, but I'm sure it'll get done eventually.

So Hollow


See the city streets around you
So full of hope and loss.
See the city streets surround you
Teaming with all that was.
Say:
Good night
Sleep tight
And keep telling yourself everything's all right

How can you sleep when your dreams are hollow?
Trapped in yourself, seething with the sorrow.
Scared of the night
That holds you so tight
And drains you life away.

Dream of a world that's so cold around you
So full of grief and pain
Dream of a world that's so old without you
So lost against the rain
Say:
Wake up
Chin up
Try and believe that we're all happy, close-up.

How can you live when you life's so hollow?
Pray for like there's no tomorrow.
Lost in the night
That tells you you're right
To dream your life away

At the end of the day you're still lost and alone
Trapped in the city and so far from home

How can you die when your death's so hollow?
Thrown in the ground like it's all so shallow.
Trapped in the night
That holds you so tight
As your life is drained away
I'm working non stop on Hollow Dreams at the moment, trying to get the database up and running before opening night on the 29th October. It's hard going, PHP is difficult in the extreme and it's going to take a lot of hard work before I get there. But hopefully I will get there.
The radio station I'm in charge of for the chat, The London Underground is up and on the air. Niccie still needs to get the other one sorted, but at least I've done my bit, and it's sounding pretty good. I'm happy with it anyway.

Speaking of Hollow Dreams, I was in the bath yesterday morning after getting 4 hours sleep, and got to thinking about how Hollow Dreams needs a theme tune. I mean, I was working on adapting and singing Lucifer Over London for City in Descent, although Adrian probably would have said something about us not needing one and it sucking. But I thought it was a good idea at the time. Much better than that Leonard Cohen track of his anyway.
Anyhoo, after much thought, I couldn't think of anything that would suit Hollow Dreams. Annoying . . . Or at least it was until all these words started popping into my head.
A couple of hours later, and with Niccie's help, I had the lyrics down, and a tune for the chorus recorded as a Wav file. I sent them to Jade and we're recording our very own song for Hollow Dreams. So Hollow is all the way down the side here, so feel free to read it. When it's recorded, which will probably be sometime this week, I'll post the link up here.
I spent a good few hours on the phone to her last night and it's coming along really nicely.
It's nice to see her so driven again. So enthusiastic and in her element.
The song's gonna be great, I know it. I can feel it in my bones.

She also sent me a whole bunch of her music that she's been promising me for months. I've got my fix, I'm happy. For now at least. I hope she realises how insatiable I am though, that she's going to have to keep giving me new music or I may have to hurt people.


I'm starting another job tomorrow. It's a month-long position in Caernarfon, working for a company that deal with hospital records. It's only part time, Mondays, Tuesdays and half a day Wednesday, but it's better than nothing. Much better than nothing in fact.
Niccie's mum's paid the rent three months in a row now. And they're sending us some shopping through TescoDirect today. I'm so incredibly grateful for them. My family wouldn't even sign a bit of paper to stop me from loosing my house (That's to Mel for doing that one, you're a star hun). Still, I don't want to have to rely on them much longer.

Urgh, I've just realised how long it's been since I've written in here and how much stuff I have to catch up on. I think I'm gonna be here a while.

When Niccie's parents came up, we went to Conwy Castle.
It was tipping with rain and freezing cold. But it didn't seem to dampen their spirits.
So we had hot tea and scones and jam and trekked around the castle in the pouring rain and all thoroughly enjoyed ourselves. They've got such an enthusiastic, light-hearted attitude to life. Even his Dad who pretends to be all professional and business-like. He's not though. He's a riot when you get him going.
I'm so glad that we have them. So glad that I got the chance to try and get on with them again. They're both wonderful people really. They've helped us so much.
I wish Niccie would grab hold of some of that enthusiasm I see in his parents. He can be such a stick in the mud sometimes. Still, I suppose it's because he has so much to worry about. Maybe when we're more financially secure he'll be a lot more care-free about things.
Anyway, the castle. I was talking about the castle.
I fell in love with it. They had to almost drag me away.
And even then I made Niccie go back the next day so I could buy some books about it from the gift shop.

It was weird because usually I'm not bothered about things like that. To be honest, the last time they came up, and we went to Beumaris Castle, I was bored out of my skull.
Something about Conwy was different though. It wasn't the false, plastic, perfectly cut grass and billboards like you get at Beumaris, it was wild and wet and crumbling. An ancient thing standing up high on the hill and staring down at the strange, twisted walls of the town below it.
This is when I had an idea for a novel.
I don't know whether I'll work with it or not, but it's worth putting in here just in case I look back on it at some point and decide it was a really good plan after all.
It's basically the story of a group of Romantics, I think that the group consisted of a young man and his wife and her brother and serving girl, and another guy who's just tagging along for the ride.
Set in the late 1700's or early 1800's I wanted to mirror the Shelley's trip to Geneva in 1816. Basically what that means is that they get incredibly high on opium and wander around all these ancient castles and abbeys having incredibly lucid visions.
One of them was going to be about living in a monastery in the 1300's . . .
That was about as far as I got with it, but I may pick it up and do some point and work with it.


Finally, here's one of the pictures of Tasha's wedding that got me in such a state the other day.
I still don't know what the problem was then, why I just couldn't stop crying.
I think it had something to do with suddenly realising that a part of my childhood was gone forever and there's never ever going to be any getting it back. More than that, it was a time when I was really happy, inspired and enthusiastic. The time in my life I spent roleplaying Vampire with Tasha and Kate was a good time for me. A good time in a childhood that was often very hard on me, filled with all sorts of angst and hurt. Realising that that is gone forever and is never coming back is horrible.
And the only reason I have my suspicions that it may be that is because when Niccie suggested that, then it made me start crying all over again.
I guess Tasha getting married and Kate having a baby has made me realise just how far they've passed from the people I knew 12 years ago, how much their lives have changed. The fact that the things that used to matter to them then don't matter any more.
Or maybe they do. The thing about Kate calling her daughter Estelle really got to me, maybe because it makes me think that all that I was talking about has happened, that these times we spent together are long gone and we can never hold them again, and we all know it, and it hurts us all, and we're all looking back and missing and hurting and can't do anything about it.
There's something very tragic and painful about that.
I don't even want to think about the idea that Kate didn't call her baby Estelle because of the game, because of all the time we spent playing it, truly happy. That she did it because she just liked the name. I don't what to think about that. That will bite in a whole new and unpleasant way.


Anyway, that's about everything I'm going to say for now. I think I'm more or less up to date, or I hope I am.
Hopefully I won't get so far behind again. I probably will. But I'll deal with that when I get there I guess.

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Pain Long Passed [22 Sep 2004|09:59pm]
[ mood | sad ]
[ music | Thompson Twins - Hold Me Now ]

I . . . I dunno . . . I feel the need to type in here.
Now's about the time when I would have pulled out my diary and wrote in it if I still kept it, so I guess now is about the time that I should pull this up and start typing.
A few mundane things have happened, I'll talk about them later, but I don't want to discuss them right now, that's not what this is about.
What this is really about is the past, the kind of time when I used to keep a diary, one that I still have. When I was at school doing my A Levels, when I fell in love with Natasha, when I spent all that time roleplaying with her and Kate.
All this has made me realise how much it hurts that all that is behind me. That I can never have it back. I've never really missed anything that hurt this much before, but I guess I will again in the future. I mean, what with Joe so lost and empty and everything I loved about the chantry up here long gone.
I watched The Wedding Singer tonight. It took me right back to that time. The time when Tasha was so in love with the film and christened the song 'Hold Me Now' from the soundtrack as her character's. As Xandra's and Lucian's.
I watched it and it hurt. It hurt that that's all behind us, and it hurt that I had to miss her wedding.
I'm getting worse with everything I'm hearing from Natasha, so I better hurry up, because much longer and I'm not going to be in any fit state to type anything at all. . .
I got online to see if I could find her, if I could talk to her, if I could explain to her what had happened . . .
I knew that if I'd gone to her wedding it would have upset me. Would have reminded me of the time she and I were together, reminded me of all the times we spent roleplaying together, reminded me of when she and David got together. Of sitting in her room and staring out the window, talking and talking until the sky paled. Of all the parties, of all our friends. Of everything, all the memories, the good, the bad, all of it.
So first I have to accept that yes, she's married. And she did it without me there. Me, her best friend in the whole world. The person she once loved more than anything else in the world.
Her sister's pregnant. Tasha's little sister Vix, who was a little girl when I first met her . . .
Turns out that things fell apart in the months before their wedding. Tasha got savaged by a cat at work and has lost a lot of the feeling in her right hand, she lost one of her cats in a car accident, both her rabbits to a fox, David lost his nan, the priest died of cancer, it was a nightmare. It was a nightmare . . . and I wasn't there.
But things . . . I don't know . . . things get worse.
I've started listening to all this music that we were in love with way back then. Things I'm not going to admit to listening to now. That's for just me and Niccie to know I'm afraid.
And I was thinking about our games, about how they shaped my life, about who I may have become if I hadn't Storytold them, about the fact that I don't know if it mattered to them at all. I thought about Estelle, about Xandra and Lucian and Julian, and Solat and Bacchus, all of them. About how much fun I had running for them and how much those games changed my life.
Then she told me . . .
She told me about Kate . . .
Kate's had a baby . . .
And . . . And she called her Estelle . . .
God I can't even think it without crying . . . It just . . . I don't know . . . I don't know how to explain how I feel.
I've never felt such a poiniant pain at the loss of the past, about the fact I can never have it back again, never hold it, never go away with the two of them and spend the week roleplaying, or writing terrible fantasy fiction, or just up and talking. All that childish innocence, all that friendship is gone . . .
It's probably stupid of me to get so upset about it, but I've never felt like this before . . .
God I miss it. I miss all those little stupid things that I'm never going to have again.
I miss the fact that we used to tell each other everything.
I miss it all . . .
And I really better shut up now or I really will go on all night . . .
I just . . . I just didn't expect it to hurt this much, and I don't know why it does. Those times meant so much to me . . . and now Kate's has a daughter . . . and she's named her after the character she played in my game when we were all so young and stupid . . .
I don't know why that makes me cry . . .
I just don't.

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Just a really quick one . . . [09 Sep 2004|09:05pm]
[ mood | exhausted ]
[ music | Tool - Triad ]

To let you know that I now have a LiveJournal.
I'm using the name Autumn's Darling if anyone is interested. The journal is mainly going to be used to post random artistic snippets. I'll still post sections from finished stories, poems, pictures and photos here, when they're relevant to what I'm doing or talking about, or what's going on in my life. Autumnsdarling is more of a creative scrapbook where I can throw rolls of film, photomanips and random snippets of stories old and new, things like that.

Also, the Romantic Age Wraith project has swollen to encompass a whole other suppliment, Victorian Age Wraith.
I've made a LiveJournal Community up for the two game suppliments called Deus et Machina.
So, if you're interested in that, then that's where to go.

I've also joined the Wraith RPG LiveJournal Community.
Yeah I know, it's all going on over at LiveJournal isn't it.
I'm going to stay loyal to DeadJournal for my more or less personal diary though. It's cooler, and I don't really need to be able to join all kinds of communities and stuff on this ID anyway.
I may pay for my LiveJournal account though, I want more user piccies. Their cool.

Finally, I've indexed myself.
Basically I've done up a page with links to all the stuff that I do and I'm part of, pages I maintain, things I submit to, places where I have a presence, things like that.
I've mainly done it for myself, because to be honest I loose track of all these things I'm a member of, or more specifially, I loose track of the URLs and have to rummage through the depths of my bookmarks to find them.
So this page indexes more or less everything I do.
I guess it'll also be useful to people who need to track down this page or that community that I'm part of. As people are always asking me for URLs, now they only need one.
Well, I thought it was cool.
And it has a nice applet.
So go visit Rain & Roses.

Because of alll the URLs I have in this post, I'm going to mark it as a Memory, both so I can find it in the future, and so everyone else can find it too.

Right, that's really all now.

I'm dog tired. Been blogging allllll day.

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Romantic Age Wraith needs a better title ;-) [08 Sep 2004|07:01pm]
[ mood | hopeful ]
[ music | Minkus - La Bayadere (Yes, still) ]

Romantic Age Wraith


This is my other big project at the moment.
I seem to have volunteered myself to write a Romantic Age setting for Wraith: the Oblivion.
It should be a whole lot of fun, but I have absolutely no idea where to start.
I guess the best thing to do would be to go out with a notebook and pen tomorrow, sit down and make a whole load of notes and rough ideas.

The basic ideas behind it at the moment are as follows:
* The French Revolution - The old order was being overthrown. People's way of life was breaking down. People thought it was the end of the world.
* Mount Tambora - In 1816, Mount Tambora errupted and summer never came. For those who believed that Judgement Day was just around the corner, this only confirmed their suspicions.
* A Brave New World - In the Romantic era, America had just achieved Independance. The world was still a very big place, filled with hundreds of diverse cultures and peoples.
* The Great Poets - This was the rise of great writers such as Shelley, Keats, Byron, Coleridge and Wordsworth, they challenged the old ways of things and completely revoloutioised the way people wrote and read poetry.
* The Rise of Science - Just as this was an age of great art and dreams, so science was slowly beginning to overtake alchemy. The secrets of the world were beginning to be explained. It was one final flare of awe in the face of the unknown before the human mind began to explain everything away.
I'm sure there are lots of other things I'd like to confront.

If nothing else then all that is to do with the Skinlands, I still need to figure out what was going on in the lands of the Dead at that time, and the books I've checked so far have virtually nothing for the period, so it looks as if I'm going to have free reign. But that also means that there's going to be an awful lot of work to do.

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Books, Blues and Ballet Shoes [08 Sep 2004|06:59pm]
[ mood | distressed ]
[ music | Minkus - La Bayadere ]

A lot of things to report, really. Been putting it off because not much of it is good.
Niccie lost his job.
As it was, he was getting paid £4.50 an hour to deal with all the wages, accounts, invoices etc, something he wasn't trained to do. And his boss kept telling him to do it one way, then changing his mind, and finally sacked him. It sucks hard.
I don't know how we're going to cope. We're already behind on the rent and don't have the money to pay and new bills drop on our doorstep every day.
If it wasn't for Niccie's parents coming up this weekend then we wouldn't even have food to eat or petrol in the car past Sunday.
I'm sure we'll manage somehow. It just seems sometimes that everything that can go wrong, will go wrong.
I've been trying to write, trying to get my collection finished, it's been really, really hard work.
I don't know why, I'm just really struggling.
Still, it's getting there, slowly but surely.
Maira is finished. Only now it's not called Maria (I told you it would change), it's called Sancta Maria. It has also taken my page count up to 200. Now all I have to do is finish the three remaining stories and I'm in business.
Anyway, suppose I better prove I have something to show for it.


Sancta Maria


Message received at 12:59PM on Tuesday 27th February 2001
"The carnival is nearly over.
"And you're not here.
"Your little bird is gone.
"Drowned.
"My mask is cracking and my clothes don't smell of incense any more.
"I keep working on this new idea of mine, but I don't know how much longer I can go on with it without you here.
"My hands are cold.
"I feel numb.
"I wish people would stop asking me all these questions. I keep screaming at them but they just won't go away.
"They never go away.
"They're never going to go away.
"Maria . . . Maria . . . What's wrong with you?
"Why are you doing this?
"Why are you doing this to me?
"I thought we could be together.
"I thought that if I just played this game of yours then we could be happy.
"The water looks so cold, Maria. So cold.
"Were you cold?
"I don't know . . . I need to know . . .
"Soon I'll know.
"Soon I'll come and find you. And then you're not getting away. You got away from me once, but never again.
"Carnival is over. It's almost time for Lent.
"It won't be long now, Maria. It won't be long now . . ."


I don't know what's happening to all my friends these days.
Jade's busy, and I rarely see her, and I worry this thing with Adrian has driven a wedge between us that isn't going away any time soon.
Steve spends weeks on end ignoring me, not messaging me, and when I message him being the least conversational man on the planet, then when he does finally message me, does it to tell me what a wonderful time he's been having in London when he knows damned well how broke I am and doesn't even stop to ask how I am.
Ayesha was the same, but I talked to her and we sorted it out. I guess we're just both having a hard time. But she's never around any more. I never see her.
Amariah's moving so I haven't seen her in weeks, and when I do talk to her, I can't stop feeling like there's some kind of space between us, and we're just being polite and ignoring it.
Niccie's being really mean today. I don't know what the hell's up with him.
Lou's just, I dunno, failing to be supportive. Like when I try to talk to her about Niccie losing his job suggest we go and apply to Marks & Spencer. It wouldn't be so bad but I've tried so hard to be there for her in the past.
I feel like I've done that with a lot of people. I don't know where they all are now.
I don't know what's happened to all these people that used to care about me, they just seem to have drifted away.

I've decided that five is a good number.
What I really want is a circle of five people to share art and opinions and everything with.
Like that great circle in Geneva in 1816, but there are loads of others. Rosettii had one, and so did Stravinsky.
I need my own little circle of artistic friends. It'd be great. I'm going to go out during Fresher's Week and meet some people, see if I can't find some more people to replace all these so called friends that I seem to have lost.
I'm never going to find anyone if I don't look.
I thought for a long time that Jade was the beginnings of this little circle of mine. Niccie, Jade and I.
But these days she's so busy, and she's changed, she's changed a lot.
She's not as driven as she used to be.

I'm reading Rebecca by Daphne du Maurier, and Niccie's been reading The Curious Incident of the Dog in the Night. The idea is that when we're done, we swap over, and when we've read both books, sit down and have a chat about them. It's good because we haven't read in ages.
The only problem is that Rebecca is absolutely huge, so Niccie finished his book, then read Ted Hughes' Crow and is now well into reading A Clockwork Orange while I'm not even half way through mine.
It wouldn't be so bad, but I'm a faster reader than he is!

I have other things I'm working on, but I'm going to move them to a seperate post for now.
Hopefully things will pick up soon.
Here's hoping anyway.
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Postage [24 Aug 2004|06:59pm]
[ mood | content ]

It's always nice to get things in the post.
I've been getting quite a few things recently. Anyway, I thought I'd show a few of them off, just for the hell of it really.
Incidentally, my man now has a DeadJournal. You can find him under [info]aymczard

This is a lovely necklace sent to me by [info]faerienuff. I got it in a carefully sewn up box that took me half an hour to open, but it was well worth it.
I've never been any good at making jewelery, so I was mucho impressed at this one.
Thanks hun!
This is the two sides of a handmade card that came in the same package as the necklace.
Again from my good friend [info]faerienuff
God bless her, she's wonderful.
These are badges Star made for our World of Darkness chat Hollow Dreams .Net
She doesn't have a DJ yet, but she may do one day.
Now I just need to find something to send back to her . . .
A little piece of Brighton Rock and silver wire from [info]severin.
Designed to stop a string of rather bad dreams I've been having.
All you's involved with stuff can check out our new little community at [info]summersgone. Those of you that aren't . . . It's prolly best not to worry.


Yeah, that's about it for now.
I'm sure I'll post again when I have more interesting stuff.

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Death is not the perfect lie . . . [24 Aug 2004|04:02pm]
[ mood | morose ]
[ music | E Lucevan la Stelle - Tosca - Puccini ]

I'm working on a new story for The Perfect Lie.
Usually, I wait until it's finished to post a snatch up here, but I've hit a bit of an impasse and so thought that I would post a bit of it now, and then another bit when it's finished.
A bit down in the mouth at the moment.
I didn't get the job I was going for, I've made myself feel ill with coffee and cigarettes and my letting agents have decided that I do need a guarantor after all, and with my Dad refusing to do it, there's no one I know that I can ask. No one in full time employment anyway.
I expect I'll muddle through, it's just a little depressing is all.
Anyway, I'm not here to whine, so, well, here's what I have so far, the title is a working one and may well change.

Maria


Message received at 3:32PM on Monday 12th February 2001
"It's raining now. I'm sure wherever you are, you can see it.
"Such a cold, hard rain. Such a rain that makes the water shiver and ripple with its mere presence. I went to see Tosca last night. I don't know why, it just felt right. Like some distant, diffuse memory of you for me to cling to.
"Didn't I tell you that it would be a perfect night?
"Oh and what a perfect night it was. So clear and crisp and cold. Cold like drowning. Cold like death.
"But today is not so perfect. Today the whole world shivers grey and palled with rain. All these beautiful people keep passing by the apartment on their richly decorated gondolas, sheltering from the rain under plain black umbrellas, dressed and masked so perfectly. Sitting and talking with such elegance, so many loose, expressive gestures in the face of such . . . animosity. I suppose you never realise just how much is conveyed in a flicker of the eyes, a twitch of the lips or a wrinkle of the nose until your face is hidden from all around you. And perhaps you shouldn't notice it. Perhaps you shouldn't know and should go on as you always have. But you don't. Somehow you know. Even subconsciously. So you wave your arms and laugh where you would have smiled, raise your hands to your face where you would have wept.
"We were supposed to be going out today and enjoying the carnival, do you remember?
"I think I must have meant to go, because I dressed myself in my costume and placed the mask over my face, but after that, I think I must have remembered that you weren't here, that going out without you would leave me hollow and empty, because I never even got to the door. I just walked to the windows in my costume and stood out in the rain, staring down into the canal and thinking of you.
"I'm always thinking of you.
"And all these beautiful men and women keep drifting past with this same, hazy, Venetian passing of time. Clad richly in their silks and their feathers, hidden so perfectly behind expressionless porcelain masks painted to look so empty and lost.
"So beautiful . . . All so very beautiful.
"I keep wondering whether you're out there, under all this silvery rain. Masked and costumed and watching me. I'd like to think I'd see you if you were, so I keep standing in the rain and staring. Hoping so much for the chance to make up for the other night. To see you wrapped in silk and china, perfectly painted, and know you as I didn't know you then, and take you in my arms and hold you. Make everything alright again.
"Why won't you let me make everything alright again?
"I'm cold and wet and shivering and the pain in my stomach cuts me to the core.
"I cried last night as I sat in our box at the opera and watched Tosca. You were all I could think of.
"I won't ask you to come home, my voice and my mind and my soul are exhausted with asking it. But at least give me a chance to see you, to recognise you, to take you in my arms.
"Maria . . . Maria . . . At least give me that."
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